I live in Ventura and I've worked California — and a good deal of the country before it — for thirty years. The territory below is where I'd walk a K-array job, and the notes are what each region actually asks of this line.






On a walk-through I'm doing three things before I open a catalog. I'm measuring the cavity. I'm finding out who has veto power — the designer, the architect, the client's spouse, somebody does. And I'm listening to the room clap to hear what the ceiling is going to do to me.
Those three answers pick the product. Depth picks the element. The veto-holder tells me whether I'm selling invisibility or output. And the clap tells me whether I need PAT's narrow vertical or whether a point source will be fine and cheaper.
Then I open the catalog. Doing it the other way around is how you end up presenting a beautiful Italian loudspeaker to somebody who was always going to buy a ceiling can.